3:33 AM

Class of 2023: The Best Horror Movies of the Year

Review: Thanksgiving (2023)

Review: Guinea Pig 2: Flower of Flesh and Blood

Review: When Evil Lurks (2023)

Review: Maximum Overdrive (1986)

Review: Lust for a Vampire (1971)

Review: Sharksploitation (2023)

Class of 2022: Top 10 Horror Movies of the Year

Review: Prey (2022)

Texas Chainsaw Massacre: The Past, Present & Future of a Lost Franchise

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Recent Posts

  • Class of 2023: The Best Horror Movies of the Year
  • Review: Thanksgiving (2023)
  • Review: Guinea Pig 2: Flower of Flesh and Blood
  • Review: When Evil Lurks (2023)
  • Review: Maximum Overdrive (1986)

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Happy Halloween! I would love to write the perfe Happy Halloween! I would love to write the perfect caption for my favorite holiday, but my brain is mush. Here’s to holding hands in the dark, doing things that scare you, and eating candy that was supposed to be for kids. I am so tired, but my heart is full.
Bed rotting isn’t enough. I need 800 years of Bed rotting isn’t enough. I need 800 years of rest. I need to lie down in the woods and decompose. I need my skull to fill with rain water. I need my bones to bleach in the moonlight and be ground to dust for use in arcane rituals. I must become worm food. Once my body has decayed and my spirit haunts the forest it’s over for you hoes.
Asking for myself: does anyone have time for their Asking for myself: does anyone have time for their hobbies? It’s mid-October already, and I’m just getting around to wrapping up September’s watchlist. Obligatory reminder that this is not normal, rent kills art, join a leftist org, etc. Last month’s highlight was JT Mollner’s STRANGE DARLING, a mean and slippery thriller shot by Giovanni Ribisi on 35mm film. Mollner & the film’s other producers had to resist strong studio pressure to recut the film in a more conventional style, despite the fact that it is exactly *because* of the nonlinear editing that the film feels fresh and surprising. As for the rest: Chris Nash’s IN A VIOLENT NATURE features the best kill of the year so far (the film itself is beautiful, bleak and a bit tedious), Lee Daniels abuses the horror genre with his preachy and ham-fisted THE DELIVERANCE, and Diablo Cody’s LISA FRANKENSTEIN will surely appeal to a certain audience (Cody’s writing is just not my cup of tea). And a quick shoutout to CREEP, which holds up on rewatch thanks to Mark Duplass’ insane and hilariously earnest energy. It is exactly the type of smart and inexpensive film that demonstrates horror’s timeless indie appeal. Happy spooky season! 👻 BEETLEJUICE (1988) Watch on: @streamonmax STRANGE DARLING (2024) No streaming release yet THE DELIVERANCE (2024) Watch on: @netflix IN A VIOLENT NATURE (2024) Watch on: @shudder CREEP (2015) Watch on: @netflix LISA FRANKENSTEIN (2024) Watch on: @primevideo DON’T BLINK (2023) [SHORT] Watch on: @youtube
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